Aug 262013

Tekee Media has taken out one of the new Australian Arts in Asia Awards announced by Arts Minister Tony Burke


The Hon Tony Burke MP
Minister for Minister for Immigration, Multicultural Affairs and Citizenship Minister for the Arts


An Australian musician working in East Timor has taken out one of the new Australian Arts in Asia Awards announced by Arts Minister Tony Burke in Sydney tonight.

Minister Burke presented the award to Tekee Media who took out the Music category for their musical publication Lian Husi Klamar: Musika Tradisional Husi Timor-Leste (Sounds of the Soul: The Traditional Music of East Timor), written by musician Ros Dunlop.

“These awards were created to recognise, celebrate and promote the Australian artists contributing to stronger, deeper and broader cultural links with Asian nations through their work in their countries,” Minister Burke said.

“Our relationship with East Timor is significant, and the contribution of Australian artists is demonstrated by the 2 nominations we received from artists engaging with East Timor.”

“Tonight we are celebrating this artist taking out the award for the Music category, along with the remaining 13 awards shared between Australian artists and arts organisations engaging with their counterparts from China, India, Indonesia, Thailand, Vietnam and Mongolia.”

“I congratulate Tekee Media on their creativity and dedication, and thank them for their contribution to our relationship with East Timor through their strong collaborative partnerships with arts organisations in East Timor.”

Lian Husi Klamar: Musika Tradisional Husi Timor-Leste (Sounds of the Soul: The Traditional Music of East Timor) is the culmination of an extensive 10 year project in East Timor. The author recorded the traditional music of East Timor, a deeply hidden culture in danger of extinction, thus preserving it for future generations.

The book is published in two languages, Tetun and English and communicates the rich and diverse culture of Timor’s music making to the world. The book is further enhanced with paintings by Timorese artists, whose works depict various aspects of traditional musical culture.

There are transcriptions of songs in both western and Indonesian notation and also has an accompanying CD and DVD.

Tekee Media is a music-based organisation that is committed to helping the East Timorese revive their indigenous music and put it to practical contemporary use through the East Timorese education system. Their Sounds of the Soul publication is the culmination of a 10 year project to record and preserve the traditional music of East Timor.

The Australian Arts in Asia Awards were created to help promote the Australian Government’s commitment in the national cultural policy Creative Australia to the increasing engagement of artists and arts organisations in cultural exchanges building collaborative partnerships with their international counterparts.

For more information on the awards, visit:

Thursday, 1 August, 2013

Jul 192013

Tony Amaral 2013

Dear Timor/Australian Cultural Exchange Supporters,

“Freedom of Expression” is a painting that powerfully expresses the spirit and soul of Timor (klamar) and, as such, we believe it deserves to be hung in a public place for all Timorese and visitors to view and enjoy. We are inviting individuals and organisations to become involved in this worthy project by joining a consortium to purchase the painting for display in a place of prominence, in a significant museum in East Timor.

This large, imposing, oil on canvas painting, is a worthy testament of Timorese traditional heritage in a contemporary setting. Tony is a Timorese artist who studied at the National Art School in Sydney and now exhibits his work internationally. In July this year, he held an exhibition in Sydney that included this very significant and meaningful painting. An image of the painting along with the artist’s biography and statement on the work can be viewed below.

Donations towards the purchase of the painting can be made online to

Account Name: Tekee Media Inc
National Australia Bank
Account number: 563397005
BSB:082 125

or a cheque can be sent to :

Tekee Media,
17 Callan St
Rozelle NSW 2039

If you donate online, please write Freedom of Expression – or Painting as reference to the deposit and send an email to with the amount you have donated so you can be sent a receipt. Your name will be also be added to list of donors to be displayed with the painting. If you wish your donation to remain anonymous, please advise when you email Ros. The cost of the painting is $7,500 .

Thank you for considering this investment in Timor’s cultural heritage and we will keep you posted on our progress.

Kind regards,

Ros Dunlop
Tekee Media Inc




About the Artist, Tony Amaral

Tony Amaral is a visual artist. He was born in Timor-Leste in 1984 and grew up in Dili, Timor-Leste during the time of the Indonesian occupation. His first teacher was the Indonesian artist Yahya Lambert who lives in Timor-Leste. Tony joined Arte Moris Free Art School in Dili in 2002 as one of the first students of the school, (founded by Swiss artist Luca Gansser and his wife Gabriella). The art school began as a collective of artists who lived and worked in the grounds of Arte Moris. During this time Tony took part in many projects and exhibitions, nationally and internationally. He travelled with exhibitions to Australia, Indonesia and Switzerland. During the civil unrest in 2006 he took part in the peace campaign of posters and Murals throughout Timor to help restore peace to the troubled country. His work hangs in the Presidential Palace in Dili, East Timor.

In 2008 he was awarded a scholarship to study art at The National Art School in Sydney, Australia. He was the first Timorese artist to graduate from the National Art School. He attained a Bachelor of Fine Art in 2011. He was also awarded the Chroma Prize for Painting in his final year.

After graduation he returned to East Timor as Artist in Residence at Arte Moris Art School, he is now the artistic director of Arte Moris. In this capacity he has curated a number of exhibitions, served as an inspiration and mentor for artists and students in his homeland. He gave his first solo show in Dili in October 2011 called Dame ba rai nebe’e maka iha problema – Peace to this troubled land. It was the first solo exhibition by a Timorese artist in Timor. The exhibition used mixed media abstract collages with a focus on local newspaper cuttings and bold colours and stencils to tell a story of a nation that is continuing to experience a crisis of faith in development and governance, which in turn is having an impact on people’s sense of harmony. This exhibition was received with critical acclaim.

In 2012 he gave his first solo exhibition in Sydney At The Vanishing Point gallery in Newtown. He was also invited to participate in the 15th Asian Biennale in Bangladesh, and was the first Timorese artist to participate in this Biennale.

Growing up in a country under occupation has had a profound influence on Tony, expressed through his art.

Freedom of Expression, 2013, oil on canvas, 260cm x 140cm , Photograph by John Lee

Artist Statement

The relationship between me and my art is not far from my lulik. A lot of the ideas in my new work are about the traditional belief system of the Timorese, which is called lulik. Lulik is at the soul of the traditional animist religion of the Timorese. Symbols of this religion can be found in my work, for example; rocks, trees, the cosmos and the ancestors. When I was little, my family would do things together. At night time my father would point to the stars and tell me that all the stars were avo (grand parents), he also showed me which ones were abo fulan (the moon), abo fitun (the stars) and abo tasi (the sea).

When I moved to Arte Moris with my fellow art students and the founder, Luca Gansser in 2003 we found more than 50 rocks, old rocks which described a family, a mother holding a child, the father and the family, these were lulik rocks. This was an old sculpture which had been part of the Indonesian Museum.

I paint my tradition, the ancestors, the spirits, but I never have seen them, these things are from the old lulik. I like to paint about something that I am scared of, and something that I never imagined. I paint from the stories I am told; for example, when I was little grownups might say ‘be careful with the dark’, and then mention someone who has died, or an ancestor with one eye, or a certain name. Then they would say, you might dream or see this ancestor and Timorese revere their ancestors.

I have never seen my old lulik because of the new religion, (Catholic). Timorese have two ways of believing, Catholic and animism and the two often get mixed up. In the districts the people might do old lulik before the mass starts. Some traditional symbols of animist religion often decorate the outside of the Catholic churches in Timor.

I have never seen my old lulik but as an artist I do have my own lulik which I have expressed in my recent artworks.

Feb 262013
Senor Salvatore da Costa Pereira, a Lia na'in who shared his knowledge of the traditional music, he is also pictured in the front cover of the book "Sounds of the Soul"

The books: Lian Husi Klamar  Sounds of the Soul :The traditional Music of Timor-Leste and the children’s colouring book, Lafaek halo Festa  Lafaek has a Party by Ros Dunlop, bilingual in tetun and english, published, September 2012.   The result of 10 years of research by musician Ros Dunlop of Tekee Media Inc the books and accompanying CD and DVD are available through Tekee Media website:, Timor at Arte Moris, Hotel Timor, Alola Foundation, Resistance Museum. ETAN and Yohan York ( in the USA, AETA  in Australia and various bookshops (Berkelow Books, Gleebooks, The Asia Bookroom, Booksplus, Redback books, and other Independent booksellers).   The intention of Tekee Media has always been to give copies of these books to the Timorese in Timor. In January this year I went there and distributed 1000 copies of both books to the Timorese, traveling the length and breadth of Timor.   Always a trip to Timor for me has come with plenty of adventures and this trip was no exception. After loading the old toyota land cruiser up with books and several Timorese friends who had been part of so many of the research trips, we set off on the 23rd of January on the road to the south-west with the final destination being Suai. We were in high spirits, dropped books all along the way.

This grandmother is the wife of Senor Joao, the Lia na’in in Ainaro

We had surprisingly good weather for the wet season. The roads seemed to be as rough as they were on my first trips to Timor in 2002. There was an absence of traffic along our journey, and villages en route were very quiet now that the UN and other foreign peace keeping forces had left Timor.  I hardly saw any other malae(foreigners) on my travels through the districts during the following fortnight. Not much has changed for many of these villages since my first trip.  Still many of them have no electricity or intermittently, infrastructure is minimal, the roads as terrible in remote villages as they ever were, and many Timorese still walk long distances for their daily water. For those Timorese with businesses which serviced the needs of the malae, faces were long as they ponder what seems to them to be an economic slowdown. As I gave out the books, and watched Timorese of all ages turn the pages of the book, I wondered how many of them had ever held a book before, let alone one they could keep.

These children are from a family who I had stayed with during research in Camanasa I had just given them a copy of the book.

It was wonderful seeing so many of the musicians who I had recorded years before, and be able to personally give them a tangible product of their performances. They were amazed that I was back there with a book to give them – and particularly delighted when they saw themselves in photos in the book or the DVD.

Ros giving books to the Baros family in Suai Loro, this family sung the song “in beluk” published in the book

When we were driving further east down the mountains into Hatudu our brakes failed. Luckily the toyota we were driving was a manual and four wheel drive! I nursed it down that first mountain in first gear low range, gripping the wheel and hoping that we really wouldn’t see another vehicle (we didn’t!).  When we got to the bottom we asked some Timorese in a truck if there was a mechanic in Hatudu who could help us, they said they didn’t know anyone and advised us to keep driving to Same for help – I was not happy about that!  A teenage boy overheard us and said his uncle was a mechanic and took us to him. Like so many Timorese in the remote villages I have encountered, they are generous and helpful to a fault. This mechanic turned out to be fantastic and a hell of an improvisor. With hardly a tool, he worked on our toyota for hours and managed to find some glue to do a temporary fix so we could get back to Dili. He apologised for not having any proper tools to do the job. He told us he had worked for 12 years for the UN as a mechanic and that he was sure if we took our time and kept topping up the brake fluid we would make it back to Dili. Three litres of brake fluid and a day and half later we limped into Dili, we might have broken a record for the slowest journey from Hatudu to Dili,(the distance is not much more than 160 kms). The final mountain down to Dili took us 3 hours to negotiate. Our nerves had taken a beating on this journey, but we had managed to distribute more than 300 books to that part of the country in spite of the obstacles.

Fernanda da Costa, the Director of Gruppu Lafaek (who recorded the Makikit dance in Suai Loro and images of this group can be found in the book)

Two days later with the brakes fixed and after meetings to organise book distribution to some places I would not get to, due to time constraints, we reloaded our toyota with hundreds more books and set off along the north coast to the east.

Senor Salvatore da Costa Pereira, a Lia na’in who shared his knowledge of the traditional music, he is also pictured in the front cover of the book “Sounds of the Soul”

I had been assured by a friend of mine that the lia na’in (cultural custodian) from Fatulia near Venilale, Salvatore Pereira was still alive. He had shared so much of his knowledge of the musical culture in his area with me over the years, and now he was very old and frail. I so much wanted to give him a copy of the book myself, and now it seemed I could. This meeting was the personal highlight of this trip. When I arrived to Senor Salvatore Pereira’s house and emerged from the toyota with a copy of the book, he saw me coming and struggled out of his chair and held one hand out while he steadied himself with the other, when I gave him the book he hugged it to his chest with tears in his eyes. In our first meeting he told me that the traditional music would die with with his generation I promised him that I was going to write a book documenting the music,  I think he hoped rather than believed it would happen. He said to me with a big smile on his face, “Thank you, now our music won’t die after all, I am so happy”!

Ros with Senor Salvatore da Costa Pereira after giving him a copy of the book, “Lian Husi Klamar”

We continued our journey down to the south coast through the Vikeke district, negotiated potholes and stony roads, and to top it off  bogged for half a day on the mountain in the village of Babulo situated near the south side of Mt Matebean and in spite all our efforts remaining bogged. A group of farmers came along and hooked a rope up to our toyota and as they heaved on the rope they sang a tebe (traditional dance) they leant back on the rope and pulled then simulating the movements of the tebe stamped their legs and pulled harder as the song progressed. I forgot I was supposed to start the engine, I was spellbound by their song and actions, here was the traditional music in its practical usage – to help ease the workload! However, their singing was in vain the truck didn’t budge! While we pondered how we were going to escape the muddy bog I decided to take copies of the book up to the Xefe (village chief) who had six months earlier been such a wonderful host to us when we were gathering information for the book. He was in Dili, so I left copies for the schools in Babulo and also got his contact details. When I went back to the toyota my friends and the local villagers told me that we needed to contact the Xefe who could organise help (the local roadside assistance service!)  but no-one knew the Xefe’s number, I laughed and told everyone I had just got it!, So we phoned the Xefe in Dili, and he phoned a trucking company down the bottom of the mountain and called us back to say help was on the way. Half an hour later with reggae music pumping loudly from inside the cabin a huge yellow truck appeared, hooked us up with a cable and plucked us out of the mud as fast as a cork being pulled out of a bottle! We headed for Iliomar after that, two hours along the road we were stopped by a huge tree that had fallen over the road, we tried to build a stone bridge over the tree so we could drive over it! Needless to say due to our poor bridge engineering skills we had to admit defeat and retrace our steps back to Baukau, which added another ten hours to our trip. We arrived in Baukau after midnight and camped on a friend’s verandah. We resumed our journey east the next day on the north coast road this time – truly the best road in Timor! Near Los Palos I called in to see Justino Vallentim who had helped so much with the fataluku songs and culture, and was about to start the fataluku translation of the book. He he grabbed me by both my shoulders and said “the book is wonderful, just wonderful!” I grinned back and said – “this was a community project my friend!” One of the final drop offs was to a musician and director of a music group in Los Palos. He was astonished to see me, he smiled broadly and said “you came back! malae never come back, they take what they want of our culture, make money from it,  but they don’t give anything back,” to which I replied, “ I was always coming back and I will always keep coming back”!

Senor Abilio dos Santos with Ros after receiving the book, delighted that so many copies were being given to the Timorese

Copies of the book are now in the libraries, many of the schools, lia na’in, Xefe suku and with the many musicians throughout Timor who gave their knowledge, time and performances for recordings.  The response of the Timorese to the book has been gratifying and overwhelming, I am proud to have been able to be of service to the Timorese people in the writing of this first book on the traditional music of Timor.

Joao Baros, Raraun Player receiving a book

The book was launched in Dili, East Timor (September 2012), Sydney Australia (October 2012)  Blue Mountains, Newcastle, Bathurst, Canberra. In Darwin, Melbourne and Ballarat in 2013.


Ros Dunlop speaking at the launch of the book at the US Embassy in Dili September 2012

Gruppu Rebentu dancers at the launch of the book at the US Embassy in Dili October 2012


Jose Ramos Horta, Ros Dunlop and Laurian from Berkelow Books, at the Book Launch, Berkelow Books Newtown October 2012

Abel Guterres with Ros Dunlop at the launch of Lian Husi Klamar in Sydney

The book continues to be ordered world wide. The Timorese now have access to the books as a result of the distribution drive in January. Plans a foot for  a mass printing of the children’s book Lafaek has a party so that children throughout Timor can have copies of this book. The Teacher’s college in Baukau is already creating teaching programs using the material in the book.   Translation of the book into fataluku and Baikeno is in the pipeline, as Timorese from these ethnic groups don’t really speak tetun.   Thanks to the U.S Ambassador’s fund for its support enabling the publication of the first book about the traditional music of East Timor Lian Husi Klamar Sounds of the Soul.